You’re a web designer. An email full of images lands on your desktop with a thud. You experience a momentary euphoria. But euphoria slowly turns to dread as the prospect of actually dealing with those photos looms. In this HOW-TO post, we’ll lay out a workflow that gives you the tools you’ll need to bring order to the mess, be duly diligent about rights and licenses, automate the drudgery of optimizing images, and it’ll be dead fast.
There is a metadata angle to this story. We’ll get to that. But first, let’s vent about the outrage. Outrages. Multiple outrages. There is so much that is so wrong here.
Our tale begins as the Post Office, best known in some circles for delivering letters, and in others for infringing sculptors' copyrights, begins production for a “Forever” stamp to be issued in late 2010. They wanted to do a Statue of Liberty stamp. They hired an image research consultant to scour stock agencies for a photo of the great statue.
Stock agencies?!!!!! Stock?! Why on earth would the Post Office use a stock photo of an iconic statue
Today - May 25, 2018 - the European Union’s General Data Protection Regulation (GDPR) goes into effect.
The GDPR is a 200-page law designed to protect internet users from spam and abuse at the hands of websites and services that use or store data on individual users. It applies to any website that does business with people who live in the European Union. Which means every website in the world. Including this one.
I’m posting this GDPR update to let you know that I take your data and security seriously. And, for that matter, to let you know how much I appreciate the time you spend on this site.
In this post, we’ll talk mostly about the considerations and decisions that must be made to get ready for labeling our works under Creative Commons. Once you have a plan in place and some templates made, the actual workflow process is quick and easy.
The Creative Commons licenses require - as long as it is “reasonable” - provision of a link back to the original work. For photographers, that means a link to an “original” file. In this post, we look at what kind of file to host and how to host it.
The International Press Telecommunications Council (IPTC) has named Brendan Quinn as its new managing director.
Quinn joins the IPTC with two decades of experience in managing technology for media companies. In June 2018, he will succeed Michael Steidl, who will retire this summer after 15 years with the organisation. IPTC made the announcement today at their Spring Meeting in Athens.
A South African photographer is suing an agency of the South African government for copyright infringement. He is seeking a breath-taking 2.1 B-i-l-l-i-o-n Rand in damages. (I’m sorry. I can’t even type that number with a steady hand.) That’s north of $180,000,000 in US dollars.
So, how did this happen?
“I attach a photo you can use.” is how.
A newly-released application can add metadata viewing functionality to websites and web apps, or even on a local computer. IPTC Managing Director Michael Steidl wrote the program, Get IPTC PMD. The application, as configured for a test system, here, can display whether or not metadata is in sync between the three data blocks where IPTC data can live in your files.
So you run a website and you read my post about the Jessica Simpson lawsuit and destruction of copyright management information. Now you’re thinking about how not destroying metadata would help, well, everybody. True enough. You can protect your contributors, reduce pollution on the web, make assets easier to manage and, just maybe, prevent a nasty lawsuit by preserving metadata (and CMI).
A photo agency has sued clothing mogul and former pop singer Jessica Simpson for copyright infringement and, of more interest to the readers of this blog, removal of copyright management information (CMI). Photo agency Splash News alleges in a lawsuit filed in federal court in the central district of California on January 23 of this year that Simpson posted on Instagram, and later Twitter, a photo owned by the agency.